EuropeEvent

Zazel performs the first human cannonball act at the London Royal Aquarium

When
1877
Where
Royal Aquarium
Episodes
1

Rossa Matilda Richter, known as Zazel, performed the first human cannonball act in the British Isles at the London Royal Aquarium in April 1877. Using an apparatus designed by The Great Farini, she was launched into a net, establishing a new spectacle that drew significant public attention and critical acclaim.

Episodes

  1. April 1877 · Royal AquariumFirst Human Cannonball Act

    Richter, as Zazel, performed the first act billed as a "human cannonball" at the Royal Aquarium in April 1877, using Farini's apparatus.

Background and detail

Background. The Royal Aquarium in Westminster, London, opened in 1876 as a place of amusement. The Great Farini, a showman and tightrope walker, programmed many acts there beginning in 1877. He had filed a patent in 1871 for apparatus projecting persons into the air, which he used to improve the Aquarium's profitability through spectacular displays.

The Act. In April 1877, 17-year-old Rossa Matilda Richter, performing as "Zazel," became the first person billed as a human cannonball at the Royal Aquarium. She was launched from a cylinder resembling a cannon, designed by Farini, landing on a horizontal net. The act was typically the conclusion of the show, balancing athletic displays with a passive, feminized dynamic.

Reception. Zazel performed frequently, sometimes twice daily, to full rooms. Critics noted the intense silence before the act and her graceful bow after landing. The Illustrated Sporting and Dramatic News published a gushing review in May 1877. Commentators emphasized her beauty and purity, contrasting her passive role in the cannon with her athletic prowess.

People involved

Sources

  1. Rossa Matilda Richter Wikipedia, revision of 2026-07-07
  2. Human cannonball Wikipedia, revision of 2026-07-24
  3. Royal Aquarium Wikipedia, revision of 2026-09-15

Machine-drafted from the cited Wikipedia passages and checked by a reviewing model, not by a human editor. Every passage cites the revision it was written from; dates and places follow those passages.