EuropeEvent

Napoleon acquires the Borghese collection

When
1807
Where
French State; Louvre Museum
Episodes
2

In 1807, Camillo Borghese sold a significant portion of the family's classical sculpture collection to the French state under financial pressure from Napoleon. The transaction included the Antinous Mondragone, which was transferred to Paris, where it remains housed in the Louvre.

Episodes

  1. 1807 · French StateSale of Borghese Antiquities

    Camillo Borghese sold 344 antiquities to the French state in 1807 due to financial pressure from Napoleon.

  2. 1807 · Louvre MuseumTransfer of Antinous Mondragone

    The Antinous Mondragone was sold to Napoleon in 1807 and transferred to the Louvre in Paris.

Background and detail

Background. The Borghese Collection, assembled by Cardinal Scipione Borghese from the 17th century, contained major works by Caravaggio, Raphael, and Titian, alongside ancient Roman art. By 1807, Camillo Borghese faced financial difficulties and pressure from his brother-in-law, Napoleon Bonaparte, leading to the sale of 344 antiquities to the French state at below market price.

The Sale. Camillo Borghese sold 154 statues, 160 busts, 170 bas-reliefs, 30 columns, and various vases. The Antinous Mondragone, a marble head rediscovered near Tusculum, was part of this sale. It was sold for one of the highest prices in the collection, reflecting its significance within the Borghese holdings.

Transfer to Paris. The sold antiquities were transferred to Paris. The Antinous Mondragone, previously housed at the Villa Mondragone as part of the Borghese collection, was moved to the Louvre. The Louvre, located on the Right Bank of the Seine, served as the destination for these works, which were part of Napoleon's broader acquisition of art.

People involved

Sources

  1. Borghese Collection Wikipedia, revision of 2026-06-10
  2. Antinous Mondragone Wikipedia, revision of 2025-05-28
  3. Louvre Wikipedia, revision of 2026-09-16

Machine-drafted from the cited Wikipedia passages and checked by a reviewing model, not by a human editor. Every passage cites the revision it was written from; dates and places follow those passages.