Earliest classical music recording of Handel's Israel in Egypt at the Crystal Palace
- When
- 1888
- Where
- The Crystal Palace, London
- Episodes
- 1
A wax-cylinder recording of Handel's oratorio Israel in Egypt, made at The Crystal Palace in London on June 29, 1888, is recognized as the earliest known recording of classical music. Conducted by August Manns, the performance featured 4,000 singers. The resulting sound was initially dim due to technical limitations and distance, and the recording has since suffered significant degradation.
Episodes
Background and detail
Background. Handel's Israel in Egypt is a biblical oratorio for which Handel wrote the music in one month, between 1 October and 1 November 1738, drawing its text from selected Old Testament passages. The work was performed at the Crystal Palace Handel Festival in June 1888. This event involved a massive choir of 4,000 singers, whose combined voices, distance from the recording device, and the venue's acoustics posed a challenge for the recording technology available at the time.
Recording Conditions. The recording was made using wax cylinder technology, which was in its experimental phase in 1888. The device was positioned approximately 100 yards from the singers. The combination of the large number of voices, the distance, and the specific acoustics of the Crystal Palace resulted in a dim initial sound that has degraded over time.
Historical Significance. This excerpt from the oratorio is widely regarded as the earliest known recording of classical music that still exists. It represents a pivotal moment in the history of sound recording, capturing a large-scale choral performance during the early development of phonograph cylinders.
People involved
- August Manns · Conductor
- 4,000 Singers · Chorus
Sources
- Israel in Egypt Wikipedia, revision of 2026-06-26
- Edison Records Wikipedia, revision of 2026-02-09
- The Crystal Palace Wikipedia, revision of 2026-09-29
Machine-drafted from the cited Wikipedia passages and checked by a reviewing model, not by a human editor. Every passage cites the revision it was written from; dates and places follow those passages.